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Brandenburg Concerto No.1 In F major BWV 1046

Violino piccolo pitch notation - notated the way it sounds

COMPOSER: Johann Sebastian Bach
PUBLISHER: Bärenreiter-Verlag
PRODUCT TYPE: Part
INSTRUMENT GROUP: Orchestra
Violin solo part sounds at pitch (F major). Includes original version of the Sinfonia BWV 1046a. Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F majorBWV 1046. The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were
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Specifications
Subtitle Violino piccolo pitch notation - notated the way it sounds
Composer Johann Sebastian Bach
Editor Heinrich Besseler
Publisher Bärenreiter-Verlag
Instrumentation Orchestra
Product Type Part
Instrument Group Orchestra
Style Period Baroque
ISMN 9790006502929
Style Period Baroque
Series Bärenreiter Urtext
No. Pages 6
No. BA5201-77
Part {Instrument} Violin
Description

Violin solo part sounds at pitch (F major).

Includes original version of the Sinfonia BWV 1046a.

Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F majorBWV 1046.

The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.

Of the six works, Bachoriginally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.

These Urtext publications[BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.

In the earlier version of Concerto No.1 (BWV1046a), which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement aswell as the Polonaise movement are also absent.

In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing inthe later score, the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

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