We use cookies to ensure the best possible browsing experience on our website. By clicking OK, you consent to our use of cookies. Click here to read more about our cookie policy. 

Concerto en ut mineur

pour alto & piano

COMPOSER: Johann Christian Bach
PUBLISHER: Editions Salabert
PRODUCT TYPE: Book and Part(s)
INSTRUMENT GROUP: Viola
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the
€ 18,68
incl. tax
5 Low stock
Usually dispatched within 24 hours
This product cannot be ordered at the moment.
Not available in your region.
Specifications
Subtitle pour alto & piano
Composer Johann Christian Bach
Publisher Editions Salabert
Instrumentation Viola and Piano
Text language English;French;Italian
Product Type Book and Part(s)
Instrument Group Viola
Style Period Classic
Year of Publication 2021
Genre Classical
Style Classical
ISMN 9790048061705
Style Period Classic
No. Pages 40
No. SLB 02032701
Release Date 6/11/2021
Description
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original” part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original” version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.
    Loading
    Loading