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Jeux d'eau for Piano

COMPOSER: Maurice Ravel
PUBLISHER: Bärenreiter-Verlag
PRODUCT TYPE: Book [Softcover]
INSTRUMENT GROUP: Piano or Keyboard
It was unmistakably Liszt’s piano piece “Les jeux d’eau la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against
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Specifications
Composer Maurice Ravel
Editor Nicolas Southon
Publisher Bärenreiter-Verlag
Instrumentation Piano
Text language English;French;German
Product Type Book [Softcover]
Instrument Group Piano or Keyboard
Year of Publication 2019
Genre Classical
Style Classical
ISMN 9790006526406
Series Bärenreiter Urtext
No. Pages 22
No. BA10824
Release Date 6/30/2019
Description
It was unmistakably Liszt’s piano piece “Les jeux d’eau la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword,atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud.

It was unmistakably Liszt’s piano piece “Les jeux d’eau la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud.

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