Parsifal
Autograph: National Archive of the Richard Wagner Foundation Bayreuth
COMPOSER:
Richard Wagner
PUBLISHER:
Bärenreiter-Verlag
PRODUCT TYPE:
Book [Binded]
INSTRUMENT GROUP:
Books on Music
Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for itscompositional technique and mystical sonorities at the premiere, its world of
Specifications
Subtitle | Autograph: National Archive of the Richard Wagner Foundation Bayreuth |
Composer | Richard Wagner |
Editor | Ulrich Konrad |
Publisher | Bärenreiter-Verlag |
Text language | English;German |
Product Type | Book [Binded] |
Instrument Group | Books on Music |
Year of Publication | 2020 |
Genre | Reference |
ISBN | 9783761824184 |
Series | Bärenreiter Facsimile |
No. Pages | 374 |
No. | BABVK2418 |
Description
Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for itscompositional technique and mystical sonorities at the premiere, its world of ideas has stimulated new debates and interpretations over and over again to the present day.
Wagner wrote the autograph score almost entirely inviolet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as aguarded treasure.
The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophileappearance.
In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript.
Wagner wrote the autograph score almost entirely inviolet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as aguarded treasure.
The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophileappearance.
In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript.