Reflections on the nature of Water
Masterclass on:
COMPOSER:
Daniel Druckman
WEITERER KOMPONIST:
Jacob Druckman
PUBLISHER:
Meredith Music
PRODUCT TYPE:
Book [Softcover]
INSTRUMENT GROUP:
Mallet Percussion
Jacob Druckman's Reflection on the Nature of Water has become one of the standard 4-mallet marimba solos in the contemporary marimba literature. This master class, written by the person it was composed for, Dan Druckman,the composer's son – Associate Principal Percussionist of the New York
Specifications
Subtitle | Masterclass on: |
Composer | Daniel Druckman |
Weiterer Komponist | Jacob Druckman |
Editor | Anthony J. Cirone |
Publisher | Meredith Music |
Instrumentation | Marimba |
Product Type | Book [Softcover] |
Instrument Group | Mallet Percussion |
Year of Publication | 2012 |
ISBN | 9781574632187 |
UPC | 884088793777 |
Series | Meredith Music Resource |
No. Pages | 24 |
No. | HL00109722 |
Description
Jacob Druckman's Reflection on the Nature of Water has become one of the standard 4-mallet marimba solos in the contemporary marimba literature. This master class, written by the person it was composed for, Dan Druckman,the composer's son – Associate Principal Percussionist of the New York Philharmonic – provides a unique insight into the complexities of this monumental work.
This analysis of “Reflections”includes:
• Exploration of the sonic, timbral, and expressive possibilities of the marimba in a unique way
• A hands-on, specific, “nuts and bolts” approach tounderstanding and performing thepiece
• Applications of mallet choices, strokes, articulation, and phrasing-to have as wide a sonic palette as possible
• Correction of mistakes in the score (mostly accidentals or rhythmic errors)
This analysis of “Reflections”includes:
• Exploration of the sonic, timbral, and expressive possibilities of the marimba in a unique way
• A hands-on, specific, “nuts and bolts” approach tounderstanding and performing thepiece
• Applications of mallet choices, strokes, articulation, and phrasing-to have as wide a sonic palette as possible
• Correction of mistakes in the score (mostly accidentals or rhythmic errors)