Scenes From The Saga Of King Olaf
COMPOSER:
Edward Elgar
PUBLISHER:
Novello and Co
PRODUCT TYPE:
Book [Softcover]
INSTRUMENT GROUP:
Mixed Choir
The plot of Elgar’s King Olaf cantata has been criticized for it lack of cohesion, but the musical settings contain power, majesty, stirring melodies, joyous lyricism and a finale of immense proportion and emotional effect. As alesser work of a great composer, it certainly bears study. As a work on
Specifications
Composer | Edward Elgar |
Author | Henry Wadsworth Longfellow |
Publisher | Novello and Co |
Instrumentation | Bass Voice, SATB and Orchestra |
Product Type | Book [Softcover] |
Instrument Group | Mixed Choir |
Style Period | Post 1901 |
EAN | 5020679251065 |
Style Period | Post 1901 |
Voicing | SATB |
No. | MUSNOV950513 |
Description
The plot of Elgar’s King Olaf cantata has been criticized for it lack of cohesion, but the musical settings contain power, majesty, stirring melodies, joyous lyricism and a finale of immense proportion and emotional effect. As alesser work of a great composer, it certainly bears study. As a work on its own, King Olaf rewards performers and listeners with superb moments. A final a capella Chorus, As Torrents In Summer, is frequently performed on itsown.Scenes from the Saga of King Olaf is widely considered to be the best of Elgar’s pre-Enigma compositions. He was commissioned to write this work for the North Staffordshire Music Festival in 1896, and he chose toadaptsections of Longfellow’s Tales of a Wayside Inn with the assistance of his neighbour, the translator H A Acworth. Acworth reduced the length of Longfellow’s twenty-two sections to just eight with added material.