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Soliloquy

For Clarinet and String Quartet

PUBLISHER: G. Schirmer
PRODUCT TYPE: Set
INSTRUMENT GROUP: Chamber Ensemble
From the composer: Soliloquy was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think of that orchestra without himsitting in the first chair. So the idea of an extended dialogue for
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Specifications
Subtitle For Clarinet and String Quartet
Publisher G. Schirmer
Instrumentation Clarinet and String Quartet
Product Type Set
Instrument Group Chamber Ensemble
Style Period Post 1901
Year of Publication 2017
ISBN 9781495095665
UPC 888680694784
Style Period Post 1901
Series Ensemble
No. Pages 48
No. HL50600931
Description
From the composer: Soliloquy was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think of that orchestra without himsitting in the first chair. So the idea of an extended dialogue for clarinet and violin seemed not only natural but inevitable. The Soliloquy begins with a long, unaccompanied line for the violin. The other strings enter, and amood of sustained lyricism introduces the clarinet. The prevailing feeling is that of desolation. I deliberately avoided an emotional climax in the Soliloquy, feeling that sustaining the same mood throughout the music wouldachieve a heightened intensity. Structurally, this movement alternates two melodic ideas. The first is introduced by the violin (in B), while the second (in B-flat) is represented by the clarinet. A three-note motto (C-sharp, B,B-flat) grows from the alternation of the two tonalities and provides a third major element. The movement ends as it began, with the same long violin line, this time joined by the clarinet.
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