We use cookies to ensure the best possible browsing experience on our website. By clicking OK, you consent to our use of cookies. Click here to read more about our cookie policy. 

Symphonie Fantastique Op. 14

Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France

COMPOSER: Hector Berlioz
PUBLISHER: Bärenreiter-Verlag
PRODUCT TYPE: Book [Softcover]
INSTRUMENT GROUP: Books on Music
Facsimile of the autograph score held in the Bibliothèque nationale de France Documenta musicologica II/53 2920 pp. of facsimile and 12 pp. of Commentary (Eng/Ger/French) Half-leather binding Loveand insanity, tenderness and vulgarity bordering on the grotesque: Hector Berlioz never avoided
€ 832,00
incl. tax
2 Low stock
Usually dispatched within 24 hours
This product cannot be ordered at the moment.
Not available in your region.
Specifications
Subtitle Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France
Composer Hector Berlioz
Editor Hugh MacDonald
Publisher Bärenreiter-Verlag
Instrumentation Orchestra
Product Type Book [Softcover]
Instrument Group Books on Music
Style Period Romantic
Year of Publication 2018
ISBN 9783761816011
Style Period Romantic
No. Pages 310
No. BABVK1601
Release Date 1/1/2018
Description

Facsimile of the autograph score held in the Bibliothèque nationale de France
Documenta musicologica II/53
2920 pp. of facsimile and 12 pp. of Commentary (Eng/Ger/French)
Half-leather binding

Loveand insanity, tenderness and vulgarity bordering on the grotesque: Hector Berlioz never avoided extremes, neither in his life nor in his oeuvre. His entire Symphonie fantastique is pervaded by a musical “idéefixe” representing a woman he adored. The symphony brought about his breakthrough and has remained popular ever since.

The impact of his masterly approach to composition, especially in the treatment oftheorchestration, could still be felt in the 20th century. Berlioz revised the work for years before it finally reached its definitive version.

He entered many of these changes in the autograph score, which was also usedfor performances, by pasting strips of paper over the bars or parts in question. This facsimile edition, in high-quality four-colour reproduction, presents the manuscript as it is today – with strips of paper that can befolded out, making both versions visible.

Hugh Macdonald, General Editor of the New Berlioz Edition, explains the work’s genesis and presents particular passages from each movement.

    Loading
    Loading